Like the town crier in a fractured fairy tale, “Be My Herald of What’s to Come” rings in Vickie Pierre’s premiere solo museum show at the Boca Raton Museum of Art. Grounded in the Arts and Crafts movement, her installations have a storybook feel. A fractured fairy tale is, after all, a new twist on an old story, reimagined and restructured for a contemporary sensibility. Just as fractured fairytales can be more subversive than the traditional fables, the playfulness and whimsical flourishes of Pierre’s assemblages are underscored by her pull towards the beautifully grotesque. In this new exhibition, her works cast a feminine deity spell within the Museum gallery. In the installation she created in 2020, titled “Black Flowers Blossom (Hanging Tree),” the artist honors the souls of people lost to racial injustice, including George Floyd, Breonna Taylor, Ahmaud Arbery, and the many others. The exhibition was curated by Kelli Bodle, the Assistant Curator of the Museum, and is on view until September 5. Vickie Pierre has also been commissioned to create two murals for the Museum’s entrance courtyard, as part of the new Sculpture Garden.
“These works proclaim that while we can acknowledge the dark, painful parts of our past, at the same time we can also express hope and light for the future,” says the Miami-based artist Vickie Pierre. Her artworks cling to the romanticized, ornate European-based home décor of her childhood home in Brooklyn. The interior design hearkened back to France as the mother country of Haiti, but one that never really was maternal. “It’s not my history, and isn’t even really my parents’ history. All of those decorative elements I remember growing up with, the European flourishes, rococo, and Victorian, were not even part of their lives when they were in Haiti. That’s the push and pull of it. It’s a fantasy, but it’s a beautiful lie,” says Pierre. “Visually, it’s the best eye candy ever.” More in link.